Box Set

We are drunk-slumped
drugged by red wine
and the wide screen
into the L-shaped sofa

that and the sequential playback
of episodes long ago watched

It is a life now rewound
made so unstoppable
by a misplaced remote

Time no longer exists
for us
the once-tuned
to watersheds and news
played only on the hour

We don’t pace ourselves
with the TV breaks

Instead it’s consumed
in bibulous retakes

The House my Father Built

I am still weighted by the dream
of a house being built
by my long-dead father

it wasn’t him but some stand-in

and details in the windows
where colour was etched to capture
the hills and homes of deer
so that the past could be lined up
with the correct view and angle

a small leak in the high roof
and paint trod into carpet
and timber cutting dust remained

and an improbable kitchen
which we mentioned lightly
and was likened to a shooting range

he had been a good shot

The Ending

They gather, again,
after an endless week
of slow commutes
and old complaints,
about train operators
and these long dog days,
but tonight, all together,
returned to the village,
at the cricket ground,
propped on folding chairs,
or in heel-rocked groups,
gripping their quick pint,
and here too those
time-battered wives,
the stay-behinds,
who attempt to hide
their underlined eyes
behind bag-sized
designer sunglasses:
Here, outscoring,
by the pint-poured pavilion,
they size up the weekend
and, again, get slightly pissed
before they return,
at dusk, with burnt-out kids,
to their pleasure domes,
still on loan, as is the car,
and all that they know.

Sick Note

No, I do not regularly
commute away to work,
or to pushy schools,
or sumptuous trips alone,
and there meet others,
and interact, deeply,
with so many people
in an assortment of places,
for assorted pleasures:
So I badly escape,
to the same rough places,
for a coffee, or beer,
and then slowly return,
usually at the call
of my freelance work.
I am always here. Alone.

Sunday

The backlit curtain hesitates
across the open window,
with the inhale, exhale, breeze
it moves on the unintended axis,
creating a dragged complaint
of man-made materials,
an almost-radio sound effect –
of the turn of Edwardian ladies,
or the inflate of doldrum sails,
perhaps a man’s last breaths,
and here I will lie, behind them,
putting off the shift called Sunday.

First Hour

I boot-up from an ill-night,
one of disturbances, of pain,
under unpolished dreams,
to the unnecessary brightness
now lighting domestic chaos:
my slept agitation seeps
across the bathroom, bedroom,
and then mills about, recalcitrant.
I carry over the dreamt infection
into the first hour of each day,
my crude night’s spilt-illness
will dissipate, but only under
woken, worked-on, distractions.